
When the sun is shining, the California poppies open with a smile and dour hearts are sure to quit whining. When the sun begins to fade, trickling down behind hillsides and mountains, the poppies bade goodnight, wrapping their delicate faces in soft and silky petals.

The black-tail doe stepped up to the crosswalk and looked both ways. I slowed for the quadestrian and she waited until my car was stopped before proceeding within the boundaries of the white lines on the pavement to cross the road that crawls along the valley floor in Yosemite National Park.

The doe’s movements were so careful and precise I could do nothing but stare open-mouthed as she crossed in front of me. It wasn’t until she was half-way that I thought about the camera and capturing her legal crossing, which, of course, was too late.
When will that ever happen again? I laughed to myself. Another moment missed in a long line of many. I have the memory, I thought, and will commit it to paper. Someone’s, anyone’s, voice fractures my self-consoling moment and I hear, “It doesn’t count without the photographic evidence – it didn’t happen.” Yeah, yeah, oh shut up…

Such is the life and mind of the eager photographer who is out in the world hoping to catch the unusual, the spectacular, the moments that count - too often not ready or late to react. Caught off guard and not paying close enough attention – not anticipating the cute boy wearing a cowboy hat as he hikes with mom along a trail surrounded by springtime wildflowers. California poppies.



Photography is constantly reshaping me, my personality, my visual interaction with my surroundings, and it has continually reordered my lists of what is important. I have files and files of photos from the beginning, all filled with images taken in harsh light or out of focus. Snapshots worth nothing but painful memories of struggling. I had been bitten by the bug to capture the world and so I shot everything and at any time of day. Snap, snap, snap, it was only megapixels and something was bound to be okay. And occasionally I got everything right.
Ashamed by the number of photos that I took, I consoled myself with the philosophy of Ansel Adams and how it was necessary to take a lot of photographs to get one good image. I made excuses for being a lousy, possessed photographer and kept shooting. I was willing to take bad photos in order to learn how to take good ones – often cheered on by those who were too kind to tell me the truth.
My dyslexic brain was not wired for technical details and I found it difficult to understand the difference between ISO, shutter speed, ƒstop, + or – EV, bulb, or any of those things. And I was too proud to ask questions. Stubborn and proud.
Slowly the technical aspects of my pro DSLR began to sink in, either from trial and error, or from listening to others. One step at a time I became willing to be a life long student of photography, of seeing, reacting, organizing and of listening. For, if I didn’t push myself to continue learning, I would get bored and never become a better photographer. If I went out and effortlessly snapped amazing photographs, this passion would have died long ago.
Yesterday, which was Tuesday, a Tuesday in April – the 10th, I believe, Nikon asked me to send them the new D7000, along with my 80 – 400mm lens, so that they could determine why it wasn’t focusing. Four D7000′s now and the same issue each time. This one was better than the others, low noise and clear, crisp shots when not zooming. But zoom, the detail goes away. This has me very depressed. On top of that, my D700 has a long scratch on the dirty dust covered sensor, along with two grease spots. I have been trying to deal with this scratch situation but the people who cleaned it claim that it isn’t there. “Probably just a hair, or something.” But, it is there. They want me to send them the D700. Repair people two cameras, Deby in Yosemite, none.
I feel defeated and wonder if all of the struggles are telling me to quit. This whole thing, the camera problems, have been one big soap opera that maybe will last as long as All My Children.

Beginning of Hite Trail
My boss told me about the poppies blooming outside of the park, along highway 140. The Hite Trail, she said had a spectacular display of oranges mixed in with the purples and reds of other wildflowers. I had never seen a field of California Poppies in bloom and after winter in the desert and now being in the high country where large, white snowballs are dropping from the sky, I was ready for wildflowers.
At least the D700 would focus and the spots and scratch wouldn’t show so much while shooting at shallower depths of field. Actually, I just learned that today. The tech told me that since I am in Yosemite and obviously need a camera, a way around the sensor nightmare was to get off of ƒ22 and shoot at around ƒ11 or higher. I didn’t know that yesterday, only knew that I had to see and shoot the wildflowers. As a back-up I packed my little Nikon point and shoot, along with the iPhone. I am still scared of missing something.

My advance on the poppies was slow and incremental. Shooting wildflowers in an interesting way has long confounded me but that hasn’t stopped me from trying to learn. What I know is that a field of flowers by itself is boring and not much to look at. They need humans, trails or rocks to break up the field, to create lines, depth, dimension, interest, composition – a way that the viewer can put themselves in that space. That they can imagine, in perhaps a romantic and pleasant way, being there.

A woman, wearing a heavy gauze backless pullover dress and sandals, hiked ahead of me. As she left the forested area and continued on the trail lined in poppies, I stopped to capture her capturing them. Images of her kneeling down with her own point and shoot, standing and looking and as she hiked away. Careful to place the trail and the woman in the outer thirds of the image, while trying to watch for trees that might be growing out of her head or blocking the view. Looking at the way rocks climbed the steep hillside and also moved perpendicular to the trail. Observing the river below, with its view marred by a single wire that ran across near a home on the other side. I looked at the sky, which was mostly covered in clouds, and the direction of the sun that lit the pretty orange flowers.


For wider angle shots that encompassed the sky, I bracketed for the different exposures. My normal routine for bracketed shots, that may or may not be merged together for HDR, high dynamic range, is a tripod, ƒ22, ISO 200, 2 second timer or cable release (if they weren’t all broken) and, depending on the range of light, three or five bracketed shots. I can do more than three with the D700 – up to nine, which I do use from time to time. At those settings the shutter speed takes care of itself. The bracketing gives me more choices when it comes to editing, and my own visual interest, and it saves time when out in the field. The down side is that my files become thick with bracketed photos and I have to examine them carefully when deciding which ones to delete.

I never delete in camera.
My choice of lenses for this hike was the 17-35mm ƒ2.8, the 80-200mm ƒ2.8 and the 105mm ƒ2.8 micro. The 17-35mm had a polarizing filter on it. I had cleaned all of my lenses earlier in the day and was frustrated to learn that I need several new UV or haze filters, which are $100+ a piece.
I carried my tripod, extra cards in a card wallet and one extra battery, along with a lightweight Gortex rain jacket to protect the camera, a sweater and a bottle of water. Where I am camping it is cool but down low it is hot and I am constantly showing up in the valley wearing some sort of thermal top, heavy socks, hiking boots and jeans. It was hot yesterday.
I shot vertical and horizontal, included the path, people, trees, rocks, river and other flowers. I got down low and stood upright. Mostly I shot on a tripod but some were handheld. I tried for the movement of the flowers in the breeze, which was hit and miss, depending on if I paid close attention to my shutter speed. With a 2.8 without a filter, it is difficult to go for the depth of field and still capture motion – pretty much impossible under those light conditions. I am always trying something new and different. Always stretching myself.

Capturing the Breeze
My tendency is to spend an amount of time in one spot, rather than click, click, click, move on to something new. I want to push myself, always, to see new angles and new possibilities. So what if I don’t get everything, I want at least one set of images to turn out well. If there isn’t time for the other stuff later, then so be it – maybe another year, maybe never.


I heard the calls of the goldfinch and found them watching over the trail.
There wasn’t time for the 105mm before the sun began to disappear and the poppies were closing. Well, that isn’t the entire story. I was preparing to change lenses and so began by adjusting my tripod down low when its joints closed in on my finger and ripped the surface clean away. Blood spurted everywhere and I had nothing to stop it. I sacrificed a poppy flower, hoping it had some sort of healing properties. But that didn’t stop the bleeding. No way I was going to get blood on my lenses or on my camera. No way was I going to risk more damage to my equipment. I rinsed the wound with my water and waited for the bleeding to stop, which it did. By then the flowers were closed. The finger hurt.
I drove back into the park, after getting a few groceries and stopping along the Merced River to try for some water shots, which didn’t work. But then my effort level was pretty lousy. I wanted to see some animals and with a little time before sunset at Tunnel View, I drove down to Curry Village where two deer were utilizing the crosswalk to cross the road. Determined to capture the moment I grabbed the camera and aimed through the windshield – beep, beep – the timer was on, the shutter speed at around 5, the ƒstop at 22. By the time it was all sorted out, they were done crossing.

Deer crossing the road in Yosemite Valley, people photographing them and me with a camera that wasn't ready for the moment.
At Tunnel View, just in time for sunset, the clouds thickened and the color never popped. The conditions made for the possibility but it was a bust.
Back at the trailer, no dinner, I began eagerly looking at my images. It never ends, my eagerness to see what I captured. But the ways in which I can do better always change.
I download the images and made some initial picks – the boy in the cowboy hat, some women on the path…CS6 beta crashes. But, get this, it recovers some of my images but not all. This is huge progress on the CS front. I am pleased instead of defeated. In my world of photography the work, the efforts and the learning never end.
Whatever will I do in Yosemite National Park without a camera?

Bridal Veil Falls and the Merced River in late afternoon.